Craftsmanship you can judge for yourself.
Restorations, working models and material studies — every one of them photographed as it left our bench. Posterior work held to the same standard as anterior.
Ceramics we made, in cases other dentists placed.
The preparation and the fitting are the dentist's; the ceramic is ours. Each case credits the practice that placed it. Drag across any photograph to move between before and after.
Before 
After Ceramic veneers, upper anterior segment. Shade taken from photographs rather than a tab, and the incisal translucency layered rather than stained on.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After Length and contour rebuilt across the upper anteriors. The line angles carry the light — that is what stops ceramic reading as flat.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After A single central, matched to its living neighbour. The hardest case in ceramics, because there is nothing to hide behind.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After Layered ceramic across the upper anteriors, built to a shape agreed at wax-up before anything was fired.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After Mottled upper anteriors rebuilt in ceramic. Opacity of this kind has to be blocked in layers rather than painted over, or the patches read straight back through the surface.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After Photographed at conversational distance rather than at the chair. A case is seen from here for years and from six inches away only once.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After A deliberately small move. The shade lifts and the incisal edges level, while the surface texture stays — texture is what stops ceramic reading as ceramic.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After One unit, matched to the teeth on either side of it. A single restoration is harder than ten, because the eye has the neighbour to compare it with.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Before 
After The shade reference is in the frame because that is how the case was recorded — a measured value at the bench rather than a remembered one. This is the eLAB protocol doing its job.
Ceramics Digital Dental Aesthetics Clinical work the referring practice
Two minutes at the bench.
Shot in the laboratory. Nothing loads from YouTube until you press play.
Nothing in that category yet.
